The latest data, news and features

International

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Rank Film/Origin Distributor Week 3-Day Gross $
1 (1) Iron Man 3 (US) BVI 3 89,300,000
2 (-) Star Trek Into Darkness (US) Paramount Pictures International NEW 31,700,000
3 (2) So Young (Chn) Enlight Pictures 3 23,040,000
4 (3) The Croods (US) 20th Century Fox 8 12,168,865
5 (5) Oblivion (US) Universal Pictures International 5 11,800,000

UK/Ireland

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Rank Film/Origin Distributor Week 3-Day Gross $
1 (-) Star Trek Into Darkness (US) Paramount Pictures International NEW 12,961,681
2 (1) Iron Man 3 (US) Walt Disney Studios Motion Pictures International 3 4,891,787
3 (2) 21 And Over (US) Entertainment One International 2 893,129
4 (4) All Stars (UK) Vertigo Films 2 766,078
5 (6) The Croods (US) 20th Century Fox 8 589,549

Territories

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Box Office News

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Maleficent crosses $700m worldwide

22/07/2014

The Disney smash starring Angelina Jolie has become the 15th Disney release in industry history to reach the milestone.  

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Tiny Times 3 tops China box office

22/07/2014

CHINA BOX OFFICE: The third installment in Guo Jingming’s Tiny Times franchise grossed $50.12m over its opening weekend in China, finally toppling Transformers: Age Of Extinction from the top spot.

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China box office up 25% in H1 2014

21/07/2014

China’s box office increased by 25% to reach $2.23bn (RMB13.74bn) in the first half of 2014, according to official figures from the State Administration of Press, Publication, Radio, Film and Television (SAPPRT).

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Apes conquer UK box office

21/07/2014

Fox’s sequel scores $14.9m (£8.7m) debut, including previews, to dethrone Transformers: Age of Extinction, as two event cinema releases – Monty Python and André Rieu – land in the top five.

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Box Office Features

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Box Office: Finding the funny

13/12/2013

With Anchorman 2 about to start its international roll-out, Ian Sandwell looks at the performance of comedies at the box office in 2013 and examines the prospects for Ron Burgundy’s return.

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Documentaries: the truth about summer

25/06/2013

Serious documentaries can be ideal counter programming to superhero blockbusters. Ian Sandwell talks to UK and US distribution experts about why summer releases can be smart moves for non-fiction films.

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