The latest data, news and features

International

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Rank Film/Origin Distributor Week 3-Day Gross $
1 (1) Iron Man 3 (US) BVI 3 89,300,000
2 (-) Star Trek Into Darkness (US) Paramount Pictures International NEW 31,700,000
3 (2) So Young (Chn) Enlight Pictures 3 23,040,000
4 (3) The Croods (US) 20th Century Fox 8 12,168,865
5 (5) Oblivion (US) Universal Pictures International 5 11,800,000

UK/Ireland

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Rank Film/Origin Distributor Week 3-Day Gross $
1 (-) Star Trek Into Darkness (US) Paramount Pictures International NEW 12,961,681
2 (1) Iron Man 3 (US) Walt Disney Studios Motion Pictures International 3 4,891,787
3 (2) 21 And Over (US) Entertainment One International 2 893,129
4 (4) All Stars (UK) Vertigo Films 2 766,078
5 (6) The Croods (US) 20th Century Fox 8 589,549

Territories

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Box Office News

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Interstellar stays on top in China

25/11/2014

CHINA BOX OFFICE: Christopher Nolan’s Interstellar retained its lead at the top of the China box office last week, grossing $41.45m from 7 million admissions.

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Mockingjay scores record UK debut

24/11/2014

Lionsgate’s adaptation records biggest opening of 2014 to date with confirmed $19.8m (£12.65m), including previews.

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Mockingjay takes $154.3m int’l

23/11/2014

NOVEMBER 24 UPDATE: Storming to a confirmed $276.2m worldwide, The Hunger Games: Mockingjay – Part 1 delivered $154.3m from the first five days in 85 markets through Lionsgate International licensees.

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Mockingjay leads US box office on $123m

23/11/2014

The Hunger Games: Mockingjay - Part 1 starring Jennifer Lawrence was the clear winner at the North American box office although it scored the lowest of all three entries in the franchise so far.

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Box Office Features

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Box Office: Finding the funny

13/12/2013

With Anchorman 2 about to start its international roll-out, Ian Sandwell looks at the performance of comedies at the box office in 2013 and examines the prospects for Ron Burgundy’s return.

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Documentaries: the truth about summer

25/06/2013

Serious documentaries can be ideal counter programming to superhero blockbusters. Ian Sandwell talks to UK and US distribution experts about why summer releases can be smart moves for non-fiction films.

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