The latest data, news and features

International

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Rank Film/Origin Distributor Week 3-Day Gross $
1 (1) Iron Man 3 (US) BVI 3 89,300,000
2 (-) Star Trek Into Darkness (US) Paramount Pictures International NEW 31,700,000
3 (2) So Young (Chn) Enlight Pictures 3 23,040,000
4 (3) The Croods (US) 20th Century Fox 8 12,168,865
5 (5) Oblivion (US) Universal Pictures International 5 11,800,000

UK/Ireland

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Rank Film/Origin Distributor Week 3-Day Gross $
1 (-) Star Trek Into Darkness (US) Paramount Pictures International NEW 12,961,681
2 (1) Iron Man 3 (US) Walt Disney Studios Motion Pictures International 3 4,891,787
3 (2) 21 And Over (US) Entertainment One International 2 893,129
4 (4) All Stars (UK) Vertigo Films 2 766,078
5 (6) The Croods (US) 20th Century Fox 8 589,549

Territories

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Box Office News

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Guardians to continue box office rise

24/10/2014

China and Italy could help Marvel’s sci-fi blockbuster hold the top slot.

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Guardians takes top spot in China

22/10/2014

CHINA BOX OFFICE: Guardians Of The Galaxy finally knocked local mega-hit Breakup Buddies off the top spot at the China box office last week, grossing $37.97m over seven days (October 13-19).

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Teenage Mutant Ninja Turtles tops UK chart

20/10/2014

Paramount’s reboot dethrones Gone Girl with a $7.7m (£4.8m) debut, including previews; Fox’s Gone Girl reaches $22.8m (£14.1m); Munro Films’ Northern Soul records highest three-day opening weekend gross for a British film opening in under 100 sites.

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Guardians Of The Galaxy tops $400m at int'l box office

19/10/2014

Guardians Of The Galaxy surged past $400m as a robust second weekend hold in China generated $23.1m overall and propelled the international running total to $404.8m.

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Box Office Features

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Box Office: Finding the funny

13/12/2013

With Anchorman 2 about to start its international roll-out, Ian Sandwell looks at the performance of comedies at the box office in 2013 and examines the prospects for Ron Burgundy’s return.

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Documentaries: the truth about summer

25/06/2013

Serious documentaries can be ideal counter programming to superhero blockbusters. Ian Sandwell talks to UK and US distribution experts about why summer releases can be smart moves for non-fiction films.

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