The latest data, news and features

International

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Rank Film/Origin Distributor Week 3-Day Gross $
1 (1) Iron Man 3 (US) BVI 3 89,300,000
2 (-) Star Trek Into Darkness (US) Paramount Pictures International NEW 31,700,000
3 (2) So Young (Chn) Enlight Pictures 3 23,040,000
4 (3) The Croods (US) 20th Century Fox 8 12,168,865
5 (5) Oblivion (US) Universal Pictures International 5 11,800,000

UK/Ireland

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Rank Film/Origin Distributor Week 3-Day Gross $
1 (-) Star Trek Into Darkness (US) Paramount Pictures International NEW 12,961,681
2 (1) Iron Man 3 (US) Walt Disney Studios Motion Pictures International 3 4,891,787
3 (2) 21 And Over (US) Entertainment One International 2 893,129
4 (4) All Stars (UK) Vertigo Films 2 766,078
5 (6) The Croods (US) 20th Century Fox 8 589,549

Territories

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Box Office News

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Mockingjay Part 1 flies into action

21/11/2014

NOVEMBER 22 UPDATE: The Hunger Games: Mockingjay – Part 1 scores number one debuts everywhere as UK delivers $8.2m after two days, Germany $6m and Mexico $5.3m.

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Interstellar retains UK lead

17/11/2014

Warner Bros’ sci-fi posts strong second weekend of $5.9m (£3.8m) for $18.9m (£12.1m) to date; The Imitation Game posts StudioCanal’s second best-ever UK bow with confirmed $4.29m (£2.74m).

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Interstellar steals int'l on $108m

16/11/2014

NOVEMBER 17 UPDATE: A $41.7m five-day debut in China played its part as Christopher Nolan’s sci-fi used a confirmed $107.9m weekend haul to warp-drive to $225.8m overall.

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Dumb And Dumber To rules US on $36.1m

16/11/2014

NOVEMBER 17 UPDATE: Twenty years after Jim Carrey and Jeff Daniels headlined the global comedy smash Dumb And Dumber the pair reprise their roles and get back to winning ways at the box office with the Farrelly brothers.

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Box Office Features

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Box Office: Finding the funny

13/12/2013

With Anchorman 2 about to start its international roll-out, Ian Sandwell looks at the performance of comedies at the box office in 2013 and examines the prospects for Ron Burgundy’s return.

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Documentaries: the truth about summer

25/06/2013

Serious documentaries can be ideal counter programming to superhero blockbusters. Ian Sandwell talks to UK and US distribution experts about why summer releases can be smart moves for non-fiction films.

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